Irreverence Group Music presents: Psychosis, the third solo album of composer Julián De La Chica. Inspired by his last trip to Berlin, Krakow and Warsaw, De la chica immerses in electronic experimentation and influences ranging from ambient and post-minimal, to genres such as acid, industrial and minimal electronic. An album composed and produced by De La Chica in his home studio in Brooklyn, NY, whose music explores the virtual Pychosis of our times.

For Aniela

During the Summer, Composer Julián De La Chica visited Auschwitz for the first time. During his visit, he found himself drawn to the photo of a woman prisoner, Aniela. He composed this piece in her honor on his way back to Krakow. The photo on the cover is hers, taken by De La Chica himself. "Dear Aniela, there are not words, but there is music..."

A woman of no importance (Cybernetics Oratorium)

An elderly woman who decides to burn all of her possessions (i.e., her memories) and to start all over. A girl who is kidnapped and murdered. A cyborg or robot who is subject to sexual and domestic slavery, becomes aware of herself and then rebels through pain as her weapon for freedom. These are the three main characters of this oratorium, which concludes with a requiem in memory of composer Pauline Oliveros (1932-2016).

Lisa Moore - De La Chica, Preludes Op. 8

Described as “brilliant and searching… beautiful and impassioned… lustrous at the keyboard” by The New York Times and crowned “New York’s queen of avant-garde piano” and “visionary” by The New Yorker, the celebrated pianist Lisa Moore releases a her album DE LA CHICA: PRELUDES OP. 8 on March 1st 2018. The album - produced and published by independent record label Irreverence Group Music - is the Premiere Recording of the New York based Colombian composer Julián De La Chica's Preludes Op. 8 for piano and synthesizer.